Monday, 15 December 2014

To what extent do music videos sexualise women, with particular reference to ‘Anaconda’ by Nicki  Minaj?
 This investigation will focus if the media has increased in the sexualisation of women in music videos and how this might have an effect on the audience. A hypothesis on this topic would be that although the introduction of feminism and their power, music videos do sexualise women in their videos more than ever.

quotes that will be used:
From Emma Watzon lecture on feminism
We should stop defining each other by what we are not and start defining ourselves by who we are."
"I want men to take up this mantle so their daughters, sisters and mothers can be free from prejudice but also so their sons have permission to be vulnerable and human."
'For years young women have been telling us that they are not happy with the representation of women in popular culture, including music videos."
 " Nicki Minaj's hit Anaconda features dozens of women gyrating their exposed flesh to the lyric My anaconda don't want none unless you got buns hun, classy isn't it?" He also adds "I am sick of trying to teach my daughters how much they have to offer the world, only to have everything I say undermined by the sleazy, unhealthy messages that someone with no respect for womanhood promotes to the mass market to make some more money."
-I will start with a little introduction to music videos which sexualise females, I will also give some examples apart from Nicki Minaj.
-This first paragraph will mention how Emma Watzon says about feminism and how she feels about the changes that have occurred.
-It will also link back to my main question about Nicki Minaj by mentioning what a father says about how Nicki Minaj influences young people.
-I will then go and analyse some Nicki Minaj videos, I will start from Super Bass.

Influences

 http://blogs.telegraph.co.uk/news/brendanoneill2/100245877/the-feminist-war-on-sexist-pop-videos-is-fuelled-by-ugly-misanthropic-prejudices-of-its-own/- references to this 


The idea that pop videos have a massive influence on people’s thoughts and prejudices is underwritten by the most discredited theory of the modern cultural era – the theory of “media effects”. This is the notion that we are what we see, that a violent film can make us violent, a racist newspaper can make us racist, and a sexist pop video can make us hate women. Media effects theory has existed for as long as mass culture has. In the 1950s, concerned commentators railed against comics, through which, in the words of one comic-basher, children “absorb… beatings, shootings, stranglings, and other acts of violence”, potentially making them violent too. In the 1980s it was the “video nasty” – the ready availability of horror films from one’s local video store – which got moralists in a tizz, with some even claiming these movies posed a “threat to the social order”. And now it’s the turn of raunchy pop videos, which stand accused of spreading prejudice and even creating a “conducive context for violence against women” – that is, threatening the social order.

Things to mention:
reinforcement to stereotypes
male gaze
Primary audiences of Nicki Minaj

Historical context

Quotes that will be used:

the controlling male gaze’ (ibid., 33), presenting ‘woman as image’ (or ‘spectacle’) and man as ‘bearer of the look’ (ibid., 27). Men do the looking; women are there to be looked at. The cinematic codes of popular films ‘are obsessively subordinated to the neurotic needs of the male ego’ (ibid., 33). It was Mulvey who coined the term 'the male gaze'."
References to the study in the guardian on the differences in actors and actresses wealth.

How is it similar/different to your main text?
. In comparison to Nicki Minaj, she doesn't present herself in half way naked manner in her videos. She seems covered. Also, in Nicki Minajs videos there is always men surrounding her and dancing along with her
how society and the issue you are investigating has changed over the years and how these changes are reflected in different media texts?
 In the society that we live in today, female singers or rappers who want to gain fame and wealth feel the need to show off their bodies and their dancing skills. In a newspaper, there was shown the ratio to how many females are in Hollywood films compared to women, the ratio was 5:1. Also, it was shown that the percentage to how many females get naked for the camera compared to males is much higher.

how popular culture reflects the 'spirit of the age' or zeitgeist
 The zeitgeist of that era shows that female were not necessarily seen as sex objects like today. Regardless to how they   presented themselves they were still able to gain wealth and fame. The culture that still existed during Dianna Ross's time was much different than the culture that is reflected by society today.

How does this show how the genre/society/issue has changed?
Many sociologists claim that females feel the need to make themselves for more attractive for the camera. The differences in the content  of the music videos show how as time goes by, females begin to respect themselves less and  less everyday. They feel like the only way for them to be famous and recognised is by impressing men, this is known as the male gaze. This refers to how everything on television and music videos is most likely to be there to impress males (MULVEY) "Such films objectify women in relation to ‘the controlling male gaze’ (ibid., 33), presenting ‘woman as image’ (or ‘spectacle’) and man as ‘bearer of the look’ (ibid., 27). Men do the looking; women are there to be looked at. The cinematic codes of popular films ‘are obsessively subordinated to the neurotic needs of the male ego’ (ibid., 33). It was Mulvey who coined the term 'the male gaze'."

Primary text
Firstly, textual analysis 
Secondly, debates and theories
Intro- Nicki Minaj is a very dominant artist, who represents power and female leadership in many of her music videos. For the example the song Super Bass is very well presented, when it comes to visual aspects and creativity of both the narrative and illustration of the music video. The lyrics of the song talks about super bass. Meaning the amplification of a sound being exported out to create an enormous effect in sound and appearance. This is shown, as there are big bass speakers behind her singing, which is known as an illustrative performance narrative, by including elements of the lyrics in the performance. She’s talking about guys in the video and everything she makes reference to about a guy in the video is shown, for example in the lyrics it states gripping a tie and twisting it up, whilst Nicki Minaj did exactly that to a guy.

Gender and ethnicity
This is a very hard genre that recognises females. This genre is usually for male rappers but Nicki Minaj was able to show an alternative to this by being one of the most successful female rappers.

Audience Theories
The users and gratification includes an audience that seeks entertainment and escapism; this is because they want to be amused and watch something interesting as well as watch something that includes things or a lifestyle they desire. Many people wish to be rich and recognised like Nicki Minaj is.

Marxist and Hegemony
One could argue that in her music videos, Nicki Minaj presents an alternative lifestyle and by ding this she changes the cultural norms. After doing some research on different cultures, I found out that there is no culture that accepts Nicki Minaj lifestyle.

Genre theories
A musical genre is ‘a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules’.The notion of set, both for a genre and for its defining apparatus, means that we can speak of sub-sets like ‘sub-genres’, and of all the operations foreseen by the theory of sets.
Post-modernism
The term post-modernism has been applied to a host of movements, many in art, music, and literature, that reacted against tendencies in modernism. Post modernism theories claim that we have left the period of modernism and reject the age on enlightenment.

Theories that will be used: Katz and Blumber, audiences theory, hegemony and genre theoreis

Next Paragraph- black women
http://www.endviolenceagainstwomen.org.uk/news/162/sexism-racism-endemic-in-music-videos-new-briefing
References to this article
Black women are commonly portrayed as hypersexual and with a focus and fascinated gaze on their bottoms, invoking ideas of black women as wild and animalistic. The music industry seems to find it profitable to promote both female and male blackartists in a highly sexualised way, whatever their genre of music – racialized tropes are deemed marketable.They are more likely to endorse the ‘sexual double standard’ which sees men who have many sexual partners as admirable and women who do so as ‘sluts’. In one study, viewers who watched sexualised videos and who were then asked to comment on an ‘acquaintance rape’ scenario were more likely to make excuses for the perpetrator.

Conclusion:

"Watching televised gender portrayals has an effect on individuals' real-world gender-based attitudes, beliefs and behaviours" P1 http://syndicatemizzou.org/resources/behm-morawitz/Mean_Girls.pdf
- The future of feminism
Re mention the male gaze theory

Friday, 12 December 2014

After watching couple of Diana Ross's music videos, I learned a lot about how society has changed. In her videos it is very evident that she doesn't do what females in the music industries do today. She shows some self-respect in her videos

  • How is it similar/different to your main text?
. In comparison to Nicki Minaj, she doesn't present herself in half way naked manner in her videos. She seems covered. Also, in Nicki Minajs videos there is always men surrounding her and dancing along with her. In Dianna Ross's video, she is most likely to have someone who she is singing about in her videos rather than random men who just perform around her for no reason. Although she doesn't do the same things that Nicki Minaj does in her videos, and has more of classical music videos, Dianna Ross was a very famous singer who made a lot of money in the music industry. Till this day, her music is still known and listened to. Her music is definitely different from Nicki Minajs music as she most likely sang about love rather than being dominant or females body parts like Nicki Minaj.  

how society and the issue you are investigating has changed over the years and how these changes are reflected in different media texts?
 In the society that we live in today, female singers or rappers who want to gain fame and wealth feel the need to show off their bodies and their dancing skills. In a newspaper, there was shown the ratio to how many females are in Hollywood films compared to women, the ratio was 5:1. Also, it was shown that the percentage to how many females get naked for the camera compared to males is much higher. 
  • how popular culture reflects the 'spirit of the age' or zeitgeist
 The zeitgeist of that era shows that female were not necessarily seen as sex objects like today. Regardless to how they   presented themselves they were still able to gain wealth and fame. The culture that still existed during Dianna Ross's time was much different than the culture that is reflected by society today. Although females in the music industries were less than today, and although females had much less rights than they have today. females were not seen as toys, as something that males have there to just use. One could argue that although females are gaining more rights, they are losing more respect for themselves and that is shown harshly in the music industry. 

  • How does this show how the genre/society/issue has changed?
Many sociologists claim that females feel the need to make themselves for more attractive for the camera. The differences in the content  of the music videos show how as time goes by, females begin to respect themselves less and  less everyday. They feel like the only way for them to be famous and recognised is by impressing men, this is known as the male gaze. This refers to how everything on television and music videos is most likely to be there to impress males (MULVEY) "Such films objectify women in relation to ‘the controlling male gaze’ (ibid., 33), presenting ‘woman as image’ (or ‘spectacle’) and man as ‘bearer of the look’ (ibid., 27). Men do the looking; women are there to be looked at. The cinematic codes of popular films ‘are obsessively subordinated to the neurotic needs of the male ego’ (ibid., 33). It was Mulvey who coined the term 'the male gaze'."

Monday, 8 December 2014

Internet links:
http://www.endviolenceagainstwomen.org.uk/news/162/sexism-racism-endemic-in-music-videos-new-briefing
http://www.dailytelegraph.com.au/news/opinion/sexualised-music-videos-only-teach-women-how-to-sell-out/story-fni0cwl5-1227070613498
http://blogs.telegraph.co.uk/news/brendanoneill2/100245877/the-feminist-war-on-sexist-pop-videos-is-fuelled-by-ugly-misanthropic-prejudices-of-its-own/
http://likes.com/music/20-most-antifeminist-music-videos-of-all-time
Gender, race and class in media by Gail Dines
Featuring Females by Ellen Cole
Rebel for the Hell of it: Life of Tupac Shakur by Armond White
http://www.endviolenceagainstwomen.org.uk/news/162/sexism-racism-endemic-in-music-videos-new-briefing
http://www.dailytelegraph.com.au/news/opinion/sexualised-music-videos-only-teach-women-how-to-sell-out/story-fni0cwl5-1227070613498
http://blogs.telegraph.co.uk/news/brendanoneill2/100245877/the-feminist-war-on-sexist-pop-videos-is-fuelled-by-ugly-misanthropic-prejudices-of-its-own/


http://likes.com/music/20-most-antifeminist-music-videos-of-all-time
Books
Dines, G. (1995). Gender, race, and class in media: A text-reader. Thousand Oaks, Calif.: Sage.
Cole, E. (2005). Featuring females: Feminist analyses of media. Washington, DC: American Psychological Association.
 White, A. (2002). Rebel for the hell of it: The life of Tupac Shakur (New ed.). New York: Thunder's Mouth Press.
Wollstonecraft, M., & Poston, C. (1988). A vindication of the rights of woman: An authoritative text, backgrounds, the Wollstonecraft debate, criticism (2nd ed.). New York: Norton.

Vernallis, C. (2004). Experiencing music video aesthetics and cultural context. New York: Columbia University Press.

 Cochrane, K. (2012). Women of the revolution: Forty years of feminism. London, Great Britain: Guardian Books.
  Webb, R. (2009). A2 sociology: The complete course for the AQA specification. Brentwood: Napier.